David Brodosi - Best DSLR Camera Monitor
David Brodosi |
When you need a high quality and ergonomic DSLR camera monitor that will serve you for long, you need to be more cautious when making your purchase. This is because there are several such monitors; hence finding the ultimate choice may be challenging. There are a number of factors and features you can always consider when making your purchase. For example, the design and price of the monitor need to be considered.
This is another high quality and efficient camera monitor you can’t afford to miss. The monitor has been designed in a unique way to offer excellent and reliable services. It features a sun shade, which provides a better visual viewing. Besides this, it also has a high screen resolution for top-notch quality. Give it a try today and you will definitely like it.
The camera monitor may arrive in a poor condition with some parts missing.
In short: More pixels. Like 4K before it, that 6K jump gives videographers more flexibility. They can crop down a scene in post, or shrink down an image to reduce some of the graininess. Those extra pixels can be useful in all kinds of ways.
Think about when video gets stabilized: Algorithms shift the position of frames so the scenes and objects are aligned rather than all over the place, which means some frames get pulled left or right, and some get pulled up or down. As a result, the edges of the frames often get lopped off as each one is adjusted, ultimately leaving you with a lower resolution than you started with.
If you start out with a 4K resolution, you’re going to lose some pixels and some quality if that video gets stabilized. If you start with a 6K resolution, you can apply some pretty aggressive stabilization techniques and still come out with a crisp, genuine 4K movie at the other end. This does require some know-how from the user for framing shots a little wider than usual.
The same sort of principles apply in post-production too. 6K footage is going to place more demands on a video editing rig, but it’s a small price to pay when you’ve got all those extra pixels to play around with—visual effects have more raw pixels to work with, for example, even if the end result gets scaled down.
Canon officially announced new products for its photography fans, more specifically, two new cameras and a couple of lenses for the new mirrorless cameras in the Canon family.
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If you've been thinking about building your photography toolbox, now may be the time to look into some quality Canon gear.
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Canon 90D
The Canon 80D is a super-popular DSLR (digital single-lens reflex camera) going back several years. This lightweight DSLR with a flip-out (vari-angle) screen was all the craze for vloggers. I know several photographers and video creators that still use the 80D today. It's a workhorse.
Canon has updated this model with the 90D, offering the same APS-C sensor, but more megapixels (32) and REAL 4K video recording up to 30 frames per second. I emphasize "real" 4K because unlike the EOS-R from Canon, the 90D shoots 4K without a crop factor. This puts more of an image into the frame of the video. Other tech specs of interest include the 45 cross-type autofocus sensors, and EOS iTR AF for much quicker, automatic face detection. The burst mode of shooting also increased from seven frames per second to 10.
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David Brodosi |
David Brodosi |
David Brodosi |
David Brodosi |
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